Daniel Mendoza

After losing the championship to John Jackson in 1795, Mendoza continued to be regarded by many as the greatest exponent of the art of boxing. He came out of retirement in 1806, aged 43, to beat Henry Lee in 56 rounds lasting an hour and 47 minutes. He made his last appearance 14 years later when he was beaten by Tom Oliver. A benefit, well attended and supported, was held for him at the Fives Court the following month. Although he amassed a great fortune during his boxing career, he was a big spender and this combined with the failure of his business ventures, led him frequently to the debtors’ prison.

Caricaturist, illustrator and portrait miniaturist.  Born in London on 27^th September, son of Isaac Cruikshank and older brother of George.  Joined the Loyal North Britons, a volunteer military unit, rising to the rank of sergeant in 1803.  Went on to become a midshipman in the East India Company’s ship Perseverance.  He was left behind on St. Helena on his maiden voyage after an argument with his captain.  He returned home in 1806 where he found his family in mourning because they had been told he was dead.  He set up as a miniature painter after he left the sea in 1814 but soon turned to caricatures and etching.  He illustrated successfully for many publications, including Pierce Egan’s Life in London with his brother.  Several sporting prints were published after his work, including The Berkeley Hunt and Going to the Derby.  Died 13^th March in his lodgings at 13 Pleasant Row, Pentonville after catching bronchitis.  Buried in Highgate Cemetery.

Based on The Dictionary of British Equestrian Artists by Sally Mitchell (1985), published by the Antique Collectors’ Club.